We are all more exposed and more immersed in celebrity deaths with the advances in social media because we get to gauge the reactions of our friends and family to events that may have only been tangential to our lives. Yes, I was saddened by the death of David Bowie, but immediately thought of college friends who idolized him in each of his musical phases; of friends’ bands who learned “Rebel, Rebel” and “Suffragette City” and not much else; of my fellow Phish fans who can generate a grin simply by saying his name with appropriate cadence. Prior to our ability to broadcast our feelings, I’m not sure I would have stepped backwards quite as far with his passing.
Carrie Fisher threw me for a short non-infinite loop, and the timing having just finished “Princess Diarist” and the theatrical release of “Rogue One” was eerie.
When the celebrities have loomed larger in our childhood hagiographies, when the heroines and stars and swashbucklers of the stories we idolized in our formative years die in real life, we are, suddenly, trying to see the next chapter in the story no matter how long it’s been relegated to the recesses of happy memory. Billy Crystal wrote that Mickey Mantle’s death forced him into adulthood; when we are faced with the narrative arcs in real life taking the dramatic turn where the hero, the inspiration, the leader dies, we are immersed in that story not as a character but as a contemporary.
This is why Facebook amplifies these feelings — clearly, Facebook has become the narrative channel of the late boomers, while our kids use Snapchat and Instagram and more image based tools, we cling to the notion that we’re writing our own great American stories, all of the time. Facebook just lets us do it simply and immediately, incorporating real world events into the narrative arcs in a way that would make EL Doctorow or Jo Walton proud.
We can argue that statistically 2016 was a rough year for celebrities, but it’s more likely that our longer term view of celebrity has been amplified by improved average life span, more media coverage, and franchise reboots that remind us of the earlier, simpler parts of our own stories.
Do take events as turning points in the story line: What happens next is up to us, and that’s the thought I’m riding into 2017.