Here’s my current reading list, now in year five, updated roughly as frequently as I can both finish books and finish thoughts about them. While it seems very elementary school in nature, keeping a list has made it easier to share my current literary adventures with friends, and more important, it’s made me think about what I read. Echoes of a former band director’s admonishment to “listen to one X for every three Y” as a way of broadening our tastes ring through to commingling sci-fi, music, history, science, and fiction tomes. As before, the list is in reverse chronological order, based on completion dates (sometimes I’ll read a short story collection, a technical book, and a novel in parallel, depending upon what media and time slices I have at my disposal). Via embedded Amazon links and images, I earn a microeconomic commission if you actually buy something after clicking through from this list.
6. “Good Omens,” fantasy, Neil Gaiman and Terry Pratchett, finished February 14.
If Monty Python did a treatment of Armageddon with a hilariously written chorus, you’d get something approaching “Good Omens.” I picked it up at the suggestion of a good friend who knows my reading predilictions and saw the upcoming movie treatment of the material. It’s equally funny, morbid, uniquely British, and heavily footnoted. It’s a bit of “Stand By Me” meets Stross and Doctorow’s “Rapture of the Nerds” and it made me appropriately (I think) laugh out loud.
5. “2113,” sci-fi collection (mostly), edited by Kevin J Anderson, finished January 26.
Presented as a set of short stories inspired by the music of Rush, and edited by the author of the “Clockwork Angels” adaptation (and “Dune” prequel co-author with Frank Herbert’s son), this held promise from the first measure. The best way to describe the overall reading experience, if you are a Rush fan, is that of walking into a small restaurant absent a famous chef, almost overwhelmed by the olfactory sense of being home, and finding the menu calling out the same colloquial dish names you and your best friends – some of whom you met at shows – have used for years. The Rush themes and Easter Eggs are both subtle and strongly worded; the inspirations range from adaptation to self-reflective “Total Recall” memetic echo; as a bonus Neil Peart’s source for “Red Barchetta” is included, after some editor research, as the jammy filling of this multi layered delightful cake. Anderson’s story, based on “Spirit of Radio,” reflects both how I discovered Rush as well as why we should always turn to music when it seems the world is ending.
4. “Suck and Blow,” music/biography, Dean Budnick and John Popper, finished January 13.
I had no idea what to expect from the Blues Traveller front man’s biography, except that (a) I adore Dean Budnick’s writing (b) Popper sat in with Phish and (c) some of the story necessarily takes place in and around Princeton. That hat trick of arcana stands up remarkably well through a story that meanders into the political, social, musical and romantic (!!) with an honesty that is neither scalding nor lukewarm. Along the voyage I learned a few things about the harmonica (which make inordinate sense now, like the fact that a harmonica is keyed so you can play the notes of one scale on it).
3. “Kraken,” sci-fi/fantasy, China Mieville, finished January 5.
What you’d expect from China Mieville, with flourishes of Charles Stross and Neil Gaiman. While this starts out as a religious fantasy turned whodunnit with layers of implication and exposition, the real story slowly emerges from the deep, and it’s wonderfully crafted, ending right where it began. While some of Mieville’s work is dark and downright frightening, this richly constructed plot and gentle head shakes to the fantasy canon move a great story forward to a head fake conclusion that left me — gasp — smiling.
2. “Dark Matter,” sci-fi, Blake Crouch, finished January 2.
Picked up on a number of recommendations, this was a fun melange of “Quantum Leap” and faint hints of Heinlein’s “Number of the Beast”. Alternately moving, philosophical, action-packed and fast-paced, the main scientific principle is mildly outlandish (but not impossible). So B for scientific realism, A- for emotional impact and a nice book to read on a day off (yes, it’s a one-day read if you are the type to spend the day relaxing with a book).
1. “Moonglow,” fiction, Michael Chabon, finished January 1.
I have this strange attraction to Chabon’s writing: I find his prose dense and textured and likely paired well with a dictionary, almost to the point of pretension, but he tells a good story in a timeline and mode that makes TCP/IP packet re-assembly seem simple by comparison. While being thoroughly non-plussed by his last two, I found this in an amazon.com box a few weeks ago, thinking someone had ordered it for me as a gift, only to realize that I had pre-ordered it late one night (that strange attraction thing again). Cut to the chase: This is a good read, and now my favorite work of his. There’s an archaeological aspect to the writing, as Chabon sweeps away layers of bravado, family history re-telling and dusty silence to truly understand his late grandfather’s life. The story is poignant and carries a small but discernible albedo when held up to any of our European Jewish immigrant family tales.